Miley Cyrus’ new album promises a good time, but all it delivers is dull moody moments.

The Atlanta rapper’s third record is very ambitious, welding together many sounds and themes to create a cohesive view of his narrative.

Just like summer, each song on Polachek’s whimsical sophomore record goes by fast and leaves you wishing for more.

The Velvet Underground’s eponymous third LP stands as the perfect example of their unbothered yet self-aware versatility.

Presenting a new version of the rapper, Kendrick Lamar’s fifth studio album is beautifully painful and terrifyingly real.

Beyoncé’s sixth LP is a jaw-dropping parade of intrepidity led by an artist serenading her roots, her family, and herself.

ANTI’s slyly psychedelic narrative initially divided critics and listeners, but ultimately, the album became the pinnacle of Rihanna’s career.

Zefanya’s euphonious voice is made hostage on an LP plagued by stuffy songwriting.

Gen Z is revamping jazz and blowing life and accessibility into a genre undergoing decreasing exposure.

The sophomore album by the Brooklyn-based artist is introspective but grand on its own terms.

Following up her critically acclaimed debut album ‘Heard It In a Past Life,’ Rogers delivers a lyrically daring second record.

The fifth record by the English singer and songwriter is as out as it gets.

The timid highs of Styles’ third record make up for its dull moments.

Swift reclaims her beloved 2012’s collection of autumn cuts with powerful additions.

The reissue reinstates the disjointing experience of listening to two beloved Radiohead records.

Swift gives the last word with the rerecording of her 2008’s blockbuster.

Swift continues her indie journey with a slow burner follow-up to ‘folklore.’

Swift reinvents her sound and shifts the focus of her cinematic storytelling to fictional characters.