Miley Cyrus’ new album promises a good time, but all it delivers is dull moody moments.

The Atlanta rapper’s third record is very ambitious, welding together many sounds and themes to create a cohesive view of his narrative.

Just like summer, each song on Polachek’s whimsical sophomore record goes by fast and leaves you wishing for more.

The Velvet Underground’s eponymous third LP stands as the perfect example of their unbothered yet self-aware versatility.

Presenting a new version of the rapper, Kendrick Lamar’s fifth studio album is beautifully painful and terrifyingly real.

SZA’s sophomore record sees the singer return with main character energy throughout its 23 brilliant tracks—very Tarantino, indeed.

With its unpredictable song structures and posh atmosphere, The Car represents the most successful venture in the band’s constant act of self-discovery.

On her tenth album, Swift shares some of her darkest thoughts over industrial, glitchy, and synth-pop tracks.

Tove Lo’s fifth studio album is a kick in the head: blunt lyricism, ‘80s synth-pop, ‘70s glam and disco, femininity, heartbreak, and sex. Take it all in.

There’s no other band or artist dissecting postmodernism and the internet era quite as well and precisely as The 1975.

The third album by the Canadian band proves their ability to grind their influences into their own blissful version of shoegaze dream pop.

Ocean’s atmospheric debut studio album is eclectic and diverse, and everyone can find a song on it to identify themselves with.

The debut studio album by the UK-based singer is a candid assemblage of self-confidence and insecurity, both at once.

Ocean’s debut mixtape shook the parameters of R&B music and gave him room to create his subsequent, much-adored records

Melodically beautiful, lyrically poetic, thematically macabre—Phoebe Bridgers’s ghoulish debut LP sees the singer plunge into her psyche with terrorizing calm.

Sawayama’s sophomore album is a suitable soundtrack to unravel inner traumas at a party for one.

There is an overflow of talent and technique on Black Country, New Road’s impeccable sophomore record.

Musgraves’ fourth LP is a hard-to-resist country record with pop aspirations and disco influences—forty-six minutes of unavoidable ear-lending.