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With an intense fervor across 19 tracks, the TDE rapper and singer’s mixtape is equal parts rambunctious and awe-inspiring.
Benito bridges his sound with Puerto Rico’s vibrant roots to offer a heartfelt exploration of memory and resistance.
CAJU feels like you are sitting in a veranda listening to a friend tell you stories—the perfect record for a Brazilian summer.
“Your New Favorite Song” showcases the band’s potential when embracing a more vulnerable and experimental sound.
Mike Hadreas confronts memory and progress through a Southern Gothic lens.
Ten years later, Ultraviolence feels less like a departure and more like a prophecy.
Miley Cyrus’ new album promises a good time but delivers dull, moody moments instead.
The Atlanta rapper’s third record is very ambitious, welding together many sounds and themes to create a cohesive view of his narrative.
Just like summer, each song on Polachek’s whimsical sophomore record goes by fast and leaves you wishing for more.
The Velvet Underground’s eponymous third LP stands as the perfect example of their unbothered yet self-aware versatility.
Presenting a new version of the rapper, Kendrick Lamar’s fifth studio album is beautifully painful and terrifyingly real.
SZA’s sophomore record sees the singer return with main character energy throughout its 23 brilliant tracks—very Tarantino, indeed.
Cindy Lee’s majestic record forces us to question whether an album’s genius lies in its music or in how we access it.