Kendrick Lamar: ‘Mr. Morale & The Big Steppers’ Review
Presenting a new version of the rapper, Kendrick Lamar’s fifth studio album is beautifully painful and terrifyingly real.
SZA: ‘SOS’ Review
SZA’s sophomore record sees the singer return with main character energy throughout its 23 brilliant tracks—very Tarantino, indeed.
Tove Lo: ‘Dirt Femme’ Review
Tove Lo’s fifth studio album is a kick in the head: blunt lyricism, ‘80s synth-pop, ‘70s glam and disco, femininity, heartbreak, and sex. Take it all in.
Alvvays: ‘Blue Rev’ Review
The third album by the Canadian band proves their ability to grind their influences into their own blissful version of shoegaze dream pop.
Frank Ocean: ‘Channel Orange’ Review
Ocean’s atmospheric debut studio album is eclectic and diverse, and everyone can find a song on it to identify themselves with.
Shygirl: ‘Nymph’ Review
The debut studio album by the UK-based singer is a candid assemblage of self-confidence and insecurity, both at once.
Frank Ocean: ‘Nostalgia, Ultra.’ Review
Ocean’s debut mixtape shook the parameters of R&B music and gave him room to create his subsequent, much-adored records
Rina Sawayama: ‘Hold the Girl’ Review
Sawayama’s sophomore album is a suitable soundtrack to unravel inner traumas at a party for one.
Rosalía: ‘MOTOMAMI’ Review
Rosalía’s colorful collage of clashing elements works against all odds, thanks to her sensibility as a respectful global curator.
Beyoncé: ‘Lemonade’ Review
Beyoncé’s sixth LP is a jaw-dropping parade of intrepidity led by an artist serenading her roots, her family, and herself.
Lorde: ‘Solar Power’ Review
On her third LP, Lorde channels a beach vibe while not doing anything ambitious.
Lorde: ‘Melodrama’ Review
Falling in and out of love under the stroboscope and the vibrating booms. That’s what Lorde’s second LP is about.
Rihanna: ‘ANTI’ Review
ANTI’s slyly psychedelic narrative initially divided critics and listeners, but ultimately, the album became the pinnacle of Rihanna’s career.
Julia Jacklin: ‘Pre Pleasure’ Review
Jacklin’s third album stands out as her most sonically versatile.
Omar Apollo: ‘Ivory’ Review
On his debut studio album, Apollo transposes from seriousness into playfulness in seconds.
NIKI: ‘Nicole’ Review
Zefanya’s euphonious voice is made hostage on an LP plagued by stuffy songwriting.
DOMi & JD Beck: ‘NOT TiGHT’ Review
Gen Z is revamping jazz and blowing life and accessibility into a genre undergoing decreasing exposure.
King Princess: ‘Hold On Baby’ Review
The sophomore album by the Brooklyn-based artist is introspective but grand on its own terms.