Presenting a new version of the rapper, Kendrick Lamar’s fifth studio album is beautifully painful and terrifyingly real.

SZA’s sophomore record sees the singer return with main character energy throughout its 23 brilliant tracks—very Tarantino, indeed.

Tove Lo’s fifth studio album is a kick in the head: blunt lyricism, ‘80s synth-pop, ‘70s glam and disco, femininity, heartbreak, and sex. Take it all in.

The third album by the Canadian band proves their ability to grind their influences into their own blissful version of shoegaze dream pop.

Ocean’s atmospheric debut studio album is eclectic and diverse, and everyone can find a song on it to identify themselves with.

The debut studio album by the UK-based singer is a candid assemblage of self-confidence and insecurity, both at once.

Ocean’s debut mixtape shook the parameters of R&B music and gave him room to create his subsequent, much-adored records

Sawayama’s sophomore album is a suitable soundtrack to unravel inner traumas at a party for one.

Rosalía’s colorful collage of clashing elements works against all odds, thanks to her sensibility as a respectful global curator.

Beyoncé’s sixth LP is a jaw-dropping parade of intrepidity led by an artist serenading her roots, her family, and herself.

On her third LP, Lorde channels a beach vibe while not doing anything ambitious.

Falling in and out of love under the stroboscope and the vibrating booms. That’s what Lorde’s second LP is about.

ANTI’s slyly psychedelic narrative initially divided critics and listeners, but ultimately, the album became the pinnacle of Rihanna’s career.

Jacklin’s third album stands out as her most sonically versatile.

On his debut studio album, Apollo transposes from seriousness into playfulness in seconds.

Zefanya’s euphonious voice is made hostage on an LP plagued by stuffy songwriting.

Gen Z is revamping jazz and blowing life and accessibility into a genre undergoing decreasing exposure.