Benito bridges his sound with Puerto Rico’s vibrant roots to offer a heartfelt exploration of memory and resistance.

CAJU feels like you are sitting in a veranda listening to a friend tell you stories—the perfect record for a Brazilian summer.

“Your New Favorite Song” showcases the band’s potential when embracing a more vulnerable and experimental sound.

Mike Hadreas confronts memory and progress through a Southern Gothic lens.

Ten years later, Ultraviolence feels less like a departure and more like a prophecy.

Miley Cyrus’ new album promises a good time but delivers dull, moody moments instead.

Just like summer, each song on Polachek’s whimsical sophomore record goes by fast and leaves you wishing for more.

SZA’s sophomore record sees the singer return with main character energy throughout its 23 brilliant tracks—very Tarantino, indeed.

On her tenth album, Swift shares some of her darkest thoughts over industrial, glitchy, and synth-pop tracks.

There’s no other band or artist dissecting postmodernism and the internet era quite as well and precisely as The 1975.

The third album by the Canadian band proves their ability to grind their influences into their own blissful version of shoegaze dream pop.

Ocean’s atmospheric debut studio album is eclectic and diverse, and everyone can find a song on it to identify themselves with.

The debut studio album by the UK-based singer is a candid assemblage of self-confidence and insecurity, both at once.

Ocean’s debut mixtape shook the parameters of R&B music and gave him room to create his subsequent, much-adored records

Melodically beautiful, lyrically poetic, thematically macabre—Phoebe Bridgers’s ghoulish debut LP sees the singer plunge into her psyche with terrorizing calm.

Sawayama’s sophomore album is a suitable soundtrack to unravel inner traumas at a party for one.

There is an overflow of talent and technique on Black Country, New Road’s impeccable sophomore record.

Musgraves’ fourth LP is a hard-to-resist country record with pop aspirations and disco influences—forty-six minutes of unavoidable ear-lending.