King Princess: ‘Hold On Baby’ Review
The sophomore album by the Brooklyn-based artist is introspective but grand on its own terms.
Maggie Rogers: ‘Surrender’ Review
Following up her critically acclaimed debut album ‘Heard It In a Past Life,’ Rogers delivers a lyrically daring second record.
Jamie T: ‘The Theory Of Whatever’ Review
The fifth record by the English singer and songwriter is as out as it gets.
Harry Styles: ‘Harry’s House’ Review
The timid highs of Styles’ third record make up for its dull moments.
Florence + The Machine: ‘Dance Fever’
The fifth record by Florence + The Machine a mix of self-doubt and self-assurance bolstered by Welch’s soaring voice.
Taylor Swift: ‘Red (Taylor’s Version)’ Review
Swift reclaims her beloved 2012’s collection of autumn cuts with powerful additions.
Radiohead: <em>Kid A Mnesia</em>
The reissue reinstates the disjointing experience of listening to two beloved Radiohead records.
Taylor Swift: <em>Fearless (Taylor’s Version)</em>
Swift gives the last word with the rerecording of her 2008’s blockbuster.
Taylor Swift: <em>evermore</em>
Swift continues her indie journey with a slow burner follow-up to ‘folklore.’
Taylor Swift: <em>folklore</em>
Swift reinvents her sound and shifts the focus of her cinematic storytelling to fictional characters.